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Computer Music Journal by Christopher Ariza, et. al. |
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Manual of Sixteenth-Century Counterpoint by Leslie Bassett |
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The Open Space Magazine: by Benjamin Boretz |
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The Open Space Magazine: by Benjamin Boretz |
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The Essence of Music by Ferruccio Busoni |
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Current Convictions by Robert Craft |
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The Musical Quarterly Vol. 67 No. 4. by Thomas Delio |
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Computer Music: by Charles Dodge and Thomas A. Jerse |
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Music y Teoria de Grupos Finitos by Julio Estrada and Jorge Gil |
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Experimental Music by Lejaren A. Hiller and |
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The Time of Music: by Jonathan D. Kramer | |
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The Musical Quarterly Vol. 53 No. 4 by Paul Henry Lang, et. al. |
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Musical Form by Hugo Leichtentritt |
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A Generative Theory of Tonal Music by Fred Lerdahl and Ray Jackendoff |
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Musical Form and Transformation by David Lewin |
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Essays on the Music and Theoretical Writings of Thomas DeLio by Thomas Licata |
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Contemporary Musical Review edited by F. B. Maché |
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Settling New Scores by Felix Meyer et. al. |
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Emotion and Meaning in Music by Leonard B. Meyer |
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Music, the Arts, and Ideas by Leonard B. Meyer |
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Style and Music: by Leonard B. Meyer |
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Music and Discourse by Jean-Jacques Nattiez |
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Perspectives on Musical Aesthetics by John Rahn |
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Music Inside Out: by John Rahn |
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Writings About Music by Steve Reich |
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Harmony by Heinrich Schenker |
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Contemporary Composers on Contemporary Music by Elliott Schwartz and Barney Childs |
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Perspectives of New Music Vol 35 No 2 by Stephen Soderberg, et. al. |
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The Main Stream of Music and Other Essays by Donald Francis Tovey |
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Nuove Musiche by Martino Traversa |
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Polyphone Biannual Series of Music Criticism Vol 8 by Unknown |
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Music, Sound and Sensation by Fritz Winckel |
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An Amateur at the Keyboard by Peter Yates |
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Desert Plants: by Walter Zimmermann |
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Arcana VII: by John Zorn, et. al. |
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