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Again, cf. ELECTROACOUSTIC
(originally titled Template series one)
2 Sopranos, 2 Fl, 2 Tbn, 2 Perc, 2 Db,
Quadraphonic electroacoustic sound, amplification, optional lighting
Blind Men (1966) 16'
24-voice Mixed Chorus, Chamber Ensemble
3 Tpt, 2 Tbn, B-tbn, Tba, 2 Perc, Pf
Text extracted from Journal Up the Straits by Herman Melville
First performance: 15 August 1966
Berkshire Music Festival, Lenox
Tanglewood Choir, Iva Dee Hiatt, Conductor
Commissioned by the Fromm Foundation
Wise Music Classical Purchase and Hire
Compass (1972-73) 30'
Tenor, Bass, Vc, Db, Quadraphonic electroacoustic sound,
35mm slide projections by Jerry Uelsmann
Text on the poem by Jorge Luis Borges
First performance: 7 March 1974
Theatre Vanguard, Los Angeles
Howard Crook, Tenor, Philip Larson, Bass,
Peter Farrell, Cello, Bertram Turetzky, Double Bass
Commissioned by the Judith S. Stark Foundation
Wise Music Classical Hire
Consider... (2004) 8'30"
Tenor and French horn
Text: adapted by the composer from a prose poem by Paul Aster
First performances: 12, 13 September 2004
Thomas Meglioranza, Baritone, William Purvis, French horn
"Works & Process", Guggenheim Museum, New York
Wise Music Classical Hire
DICKINSON(2020-21)
8 Poems by Emily Dickinson
First performance: 27 May 2020
Jonathan Nussman, Baritone and Almglocken
Wednesdays@7:00
Conrad Prebys Music Center Experimental Theater
UC San Diego,
La Jolla
SOLO and VOICE(S) AND INSTRUMENT(S)
For inquiries regarding DICKINSON, contact the composer directly: info@rogerreynolds.com.
The Emperor of Ice Cream, cf. MUSIC FOR THEATER
(Staged) 8 Voices, Perc, Pf, Db
ILLUSION (2005-2006) 60', cf. SERIES OF WORKS
2 Actors, Baritone, High Soprano
Solo Picc, Solo Cl, Solo Vc, Chamber Ensemble,
8-channel computer processed sound, Staging
Text: assembled by the composer from Aeschylus and Euripides
First performances: 9 May 2006
Esa-Pekka Salonen and the Los Angeles Philharmonic New Music Group
Hila Plitmann, Soprano, Troy Cook, Baritone,
Melinda Page Hamilton, Speaker, Tim Monsion, Speaker
Josef Kucera, Richard Bugg, Sound projection,
Pei Xiang, Musical assistant
with a real-time multichannel environment in the foyers preceding and
following the performance
Sarah Jackson, Piccolo, Lorin Levee, Clarinet, David Garrett, Cello
Walt Disney Concert Hall, Los Angeles
Commissioned by the Los Angeles Philharmonic New Music Group and
The Koussevitzky Music Foundation,
and supported by The Rockefeller Foundation MAP Fund
and the University of California, San Diego
Wise Music Classical Hire
JUSTICE: The Arias, cf. MUSIC FOR THEATER
Actress, Soprano, Percussion, Real-time computer sound spatialization,
Computer processed sound, Staging
Text assembled by the composer from Aeschylus and Euripides
I/O: A Ritual for 23 Performers, cf. MULTIMEDIA
(Staged) 9 Female Vocalists, 9 Male Mimes, 2 Fl, Cl,
2 Technician/Performers, live electronic processing, projections
KNOWING / NOT KNOWING, cf. INTERMEDIA as well as VOICE(S) AND INSTRUMENT(S)
Narrator, recorded voices, mixed chorus, 2 percussionists, trombonist, actor,
8-channel sound and video projections
First performance: 17 March 2024
UC San Diego Park & Market
1100 Market St., San Diego
last things, I think, to think about (1994) 66'
Bass-Baritone, Piano, Stereophonic
computer processed sound, optional 35mm slide projections of text
Debit Night created by and recorded by John Ashbery
I. I Had Thought, II. The Painter, III. Sonnet,
IV. At North Farm, V. Landscape, VI. Faust,
VII. Hotel Lautréamont, VIII. Myrtle,
IX. Illustration (I and II), and Debit Night,
a poem commissioned for this composition
and recorded by Mr. Ashbery
[The following can be performed out of context:
Sonnet, At North Farm, Faust, Myrtle,
Illustration I, Illustration II.]
First performance: 17 November 1994
Kathryn Bache Miller Theatre, New York
Philip Larson, Bass-Baritone, Aleck Karis, Piano
Commissioned by Meet The Composer
Reader's Digest Commission Program
Wise Music Classical Hire
Sheet Music Plus Purchase
Masks, cf. ORCHESTRA
8-part Mixed Chorus, Orchestra
A Merciful Coincidence [Voicespace II], cf. ELECTROACOUSTIC
Music theater for three vocalists, Electroacoustic sound
Not Only Night (1988) 10'
Soprano, Fl (Picc), Cl Eb (B-cl), Pf, Vl, Vc,
Stereophonic computer processed sound
Text: O. E. Hartleben's translations from Pierrot Lunaire
by Albert Giraud of Abend, and Morgen
First performance: 7 November 1988
Monday Evening Concerts, Los Angeles County Museum of Art
New York New Music Ensemble, Christine Schadeberg, Soprano,
Robert Black, Conductor
Commissioned by the Schoenberg Institute
Wise Music Classical Purchase and Hire
Odyssey (originally titled Entre le galet et la dune) (1989-93) 75'
Mezzo Soprano, Bass Baritone, Ensemble (16 players),
8-channel [4 + 4] computer processed sound, lighting
Fl (Picc), Ob, Cl, Bsn (Cbsn), Hn, Tpt, Tbn,
B-tbn, 3 Perc, Pf, 2 Vln, Vc, Db
Texts by Samuel Beckett: I. they come,
II. what would I do, III. my way is in the sand,
IV. section IX from Texts for Nothing
First performance: 17 June 1993
Georges Pompidou Center, Paris
Ensemble Intercontemporain, David Robertson, Conductor
Commissioned by Ircam
Wise Music Classical Hire
Sheet Music Plus
Purchase
Of This Word’s Being … heard / not heard, cf. INSTRUMENTAL ENSEMBLE
Soprano, Flute, Piano, Percussion
The Palace [Voicespace IV], cf. SOLO and SERIES OF WORKS
(Modest staging) Bass Baritone, Quadraphonic computer processed sound
Text: poem The Palace by Jorge Luis Borges
A Portrait of Vanzetti (1962-63) 21'
Narrator, 2 Fl (2 Picc), Cl, 2 Hn, Tpt, Tbn, 2 Perc,
4-channel electroacoustic sound
Text edited by the composer from the letters of Bartolomeo Vanzetti
First performance: 16 February 1963
ONCE Festival, Ann Arbor
Jack O'Brien, Narrator, Donald Scavarda, Conductor
Wise Music Classical Hire
The Red Act Arias, cf. ORCHESTRA
Orchestra, Chorus, Narrator, 8-channel computer processed and spatialized
vocal, instrumental, and environmental sound
SEASONS: Cycle II (2010-2012) 30'
Soprano, Cl, Ob, Bsn, Tbn, Pf, Vl
Text assembled by the composer from works by Borges, Joyce, Miłosz, Stevens, Strand
First performance [première]: 14 July 2011
Susan Naruki, Soprano, Alarm Will Sound, Alan Pierson, Conductor
Missouri Theatre Center for the Arts
MIZZOU New Music Summer Festival
Columbia, Missouri
Commissioned by the National Endowment for the Arts
Movements may be performed separately.
SEASONS: Cycle II a: What's To Come 7'
Soprano, Cl, Ob, Pf, Vl
Text assembled by the composer from works by Borges, Joyce, Miłosz, Stevens, Strand
First performance: 14 July 2011
Susan Naruki, Soprano, Alarm Will Sound, Alan Pierson, Conductor
Missouri Theatre Center for the Arts
MIZZOU New Music Summer Festival
Columbia, Missouri
Movements may be performed separately.
SEASONS: Cycle II b: Surprised Accords 7'30"
Soprano, Cl, Ob, Pf, Vl
Text assembled by the composer from works by Borges, Joyce, Miłosz, Stevens, Strand
First performance: 14 July 2011
Susan Naruki, Soprano, Alarm Will Sound, Alan Pierson, Conductor
Missouri Theatre Center for the Arts
MIZZOU New Music Summer Festival
Columbia, Missouri
Movements may be performed separately.
SEASONS: Cycle II c: Something Resides... 5'30"
Soprano, Ob, Bsn, Tbn, Pf
Text assembled by the composer from works by Borges, Joyce, Miłosz, Stevens, Strand
First performance: 14 July 2011
Susan Naruki, Soprano, Alarm Will Sound, Alan Pierson, Conductor
Missouri Theatre Center for the Arts
MIZZOU New Music Summer Festival
Columbia, Missouri
Movements may be performed separately.
SEASONS: Cycle II d: When They Were Gone 8'30"
Soprano, Ob, Bsn, Tbn, Pf
Text assembled by the composer from works by Borges, Joyce, Miłosz, Stevens, Strand
First performance: 14 July 2011
Susan Naruki, Soprano, Alarm Will Sound, Alan Pierson, Conductor
Missouri Theatre Center for the Arts
MIZZOU New Music Summer Festival
Columbia, Missouri
Movements may be performed separately.
SEASONS: Cycle I, cf. INSTRUMENTAL ENSEMBLE
Flute, Bass Clarinet, Violin, Cello, Percussion, Real-time computer sound processing
Sketchbook (for The Unbearable Lightness of Being), cf. SOLO
Low female voice accompanying herself at the piano,
electronic processing
Submerged Memories (2006) 20'
Narrator, B-cl, Vln, Elect Gtr, Perc,
Electroacoustic processing, Visual projections
Text: from W.G. Sebald's Vertigo and The Rings of Saturn as translated
from the German by Michael Hulse
Visual projections: Leonardo de Vinci's The Annuciation and Portrait
of Ginevra de' Benci and Rembrandt's The Anatomy Lesson
First performance with all components: 20 April 2013
Philip Larson, Narrator, Leah Asher, Violin, Curt Miller, Bass Clarinet, Pablo Gómez Cano,
Electric Guitar, Dustin Donahue, Percussion, Image and sonic montages, Paul Hembree
Initiative for Digital Exploration of Arts & Sciences
Calit2 Theater, Atkinson Hall
La Jolla, California
Commissioned by the Fromm Foundation for The Paul Dresher Ensemble Electro-Acoustic Band
First performances with musical components: 31 March 2006 and 1 April 2006
The Paul Dresher Ensemble Electro-Acoustic
Band with Tenor John Duykers
Project Artaud Theater, San Francisco
Rental on Zinfonia
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