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PROGRAM NOTE back to Program Notes Last modified 26 June 2024 FLiGHT (2012-2016)
The multi-media experience, FLiGHT, includes a four-movement string quartet commissioned by the JACK Quartet, computer processing and spatialization of sound (Paul Hembree), integrated projection of images on multiple surfaces (Ross Karre), and the reading of an assembled text (Reynolds) by a quartet of actors directed by Robert Castro. Wishing for and eventually achieving the ability to fly has been a central theme in humankind’s aspirations since the capacity to imagine first evolved in us. Flight was and continues to be, quite literally, the stuff of dreams. The FLiGHT project was a multi-staged, multi-year undertaking involving partnering with James Madison University, the National Gallery of Art, The Phillips Collection, University of Colorado - Boulder, University of California San Diego, and Park Avenue Armory in New York City. The overall concept aims to give each medial layer an interactive, performative character in imitation of and in tribute to the string quartet medium. So the text involves a
four-voiced conversational phantasma. Successions of images are simultaneously About the premiere performances of FLiGHT, Bruce Hodges wrote in Musical America, “At that initial moment of lift off on an airplane, as gravity temporarily becomes a memory, there’s a sensation of being suspended. That feeling … is what composer Roger Reynolds accomplishes in FLiGHT …” “Sound designer Paul Hembree managed to combine the myriad strands [of vocal and computer-processed sounds] into a cohesive whole, placing speakers around the darkened room to create a 360-degree marvel that completely engulfed the audience. …” “Most of the time, the unexpected juxtapositions of words, music, and visuals had a
– Roger Reynolds |